Cinemalogia — Da Ideia ao Filme
More than a century after its invention, the cinema remains the most important form of artistic expression of the contemporary world. Your “language” is now adopted by all sorts of media and visual expression, influencing not only the new media, but infecting or invading even, also other forms of traditional art, literature, painting or dance to architecture.
In fact, despite all the technical and artistic developments through which was permanently (re) inventing, the cinema is, regardless of the media on which it is recorded or the format in which it is displayed, one of the means of artistic expression more complex than is given to us to appreciate.
Art-synthesis, as has been described, by incorporating techniques and forms of expression of all previous arts, cinema or “moving picture”, is one of the most significant artistic manifestations, but also of the most demanding creative point of view, precisely because it requires the mastery of a number of technical and artistic knowledge and the development of a whole series of specific skills.
In this introductory course to the cinematic achievement, it is intended to convey the main knowledge and develop the core competencies, both from a technical point of view, whether artistic, necessary for the realisation of a project, from design and development of an idea of original fiction display at a movie theater, enabling students to produce a short film using the digital video production knowledge obtained throughout the training.
The course, Cinemalogia — the idea to the film, has essentially a practical, without neglecting the introduction of solid theoretical knowledge about the cinematic language. Is a training project in film, only in the central region, able to accommodate in their syllabus the bases of all the cinematic language with a rich historical background to the formulation of teams and to finance film projects, combining practical intensive development thereafter a short film by the trainees and with the expert guidance of trainers.
Modules will be conducted in traditional areas of Production, realization, script, image, sound and Assembly being grouped into four large blocks, corresponding roughly to the stages of realization of a movie:
- Dir. Photo 1 | John Antero | 8:0
- Dir. 1 sound | Pedro Melo | 8:0
- Dir. Art | John C. Martins (Joni) | 8:0
- Characterization and wardrobe | Susana Jacobetty | 8:0
- Direction of Actors and Casting | Nuno Rodrigues Wood | 4:0 pm
- Direction of Production | Angela Cerveira | 4:0 pm
- Realization | Telmo Martins | 40 hours
- Dir. Photo 2 | John Antero | 4:0 pm
- Post-production & Distribution;
- Add-on to training
This project distinguishes itself from the others while running mostly on schedule after-hours timetable and the possibility that students have to enroll the entire course or in modules independently. Frequency conditions offered allow both beginners in film production as experts can attend the course, meeting their learning needs.Condições de Participação Inscrições <!–Conheça as condições de participação no curso e inscreva-se.–>
A Experiência dos Formandos
Como é participar neste curso?
Condições de Acesso
Como pode participar no Cinemalogia?
Can participate in its entirety or participating alone in certain modules. Until November 13 enjoy the campaign Paths *.
Prices for global subscriptions are:
|Campaign Paths † *||€ 375.00||500.00 €||600.00 €|
|Regular *||500.00 €||700.00 €||800.00 €|
|End||600.00 €||850.00 €||999.00 €|
The payment, of global subscriptions or exceeding the total value of € 400, 3 may be phased in benefits:
- 50% at time of registration
- 30% up on February 17
- 20% until 28 April.
* Registration until November 13.
† The inscription must be effected by ready-payment.
There are other special conditions for timely registration. See the condition Early Bird on the page of each module. Also read the most frequently asked questions.
Indique os seus dados. Será contactado pela organização assim que possível.